主演：乔瓦尼·隆巴多·雷迪斯
导演：Umberto Lenzi
简介：身居纽约的人类学家葛瑞拉（Lorraine De Selle 饰）和兄长鲁迪（Danilo Mattei 饰）、好友派特（Zora Kerova 饰）结伴前往亚马逊丛林考察土著的生活习俗。抵达目的地后，他们遇见两个躲避外界追杀的毒贩：麦克（Giovanni Lombardo Radice 饰）和乔（Walter Lucchini 饰）。这两个邪恶的家伙利用当地人帮他们从事毒品生产和交易，稍不顺心便对当地人打骂对待。 正所谓恶贯满盈，善恶有报。麦克因残酷杀害包括土著首领女儿在内的当地人，而激起这群善良人的愤怒。他们拿起武器，对这些入侵的白人展开报复，而葛瑞拉他们也被牵连其中……
主演：Irene Papas Ray Lovelock Ornella Muti
导演：Umberto Lenzi
简介： Most enjoyable outing from Mr Lenzi and whilst giallo-esquire is really quite a mixed bag. Starting off as a bit of a hippy drippy affair with a young uninhibited couple using their bodies and their guile to get a free holiday, this turns into something much darker. There is real suspense including a splendid Hitchcockian scene in an aviary, lots of nudity and some pretty nasty moments. Irene Papas ( ’Zorba the Greek’ and ’Don’t Torture a Duckling’) lends considerable gravitas with her impressive performance as the mature woman with something of a problem to sort out. Ray Lovelock is appealing as the handsome young man who likes fast cars and faster women but it is the lovely 16 year old Ornella Muti who is always catching the eye. Apparently the almost too perfect nude shots are of a body double but we still get plenty of up the shorts shots as she bends obligingly forward. All three are a great asset and with a decent script and Lenzi’s constant inventiveness, this is a fine piece of exploitation cinema.
主演：Ivan Rassimov Me Me Lai Pratitsak Singhara
导演：Umberto Lenzi
简介：A photographer accidentally kills a man in self-defense and while retreating into the jungles of an Asian country, is captured by a native tribe who hold him captive, force him into slave labor, and eventually accept him when he marries the chief's daughter. Throughout the whole film, I never felt this was a horror film. It was more reminiscent of a drama, like A MAN CALLED HOR... (展开全部) A photographer accidentally kills a man in self-defense and while retreating into the jungles of an Asian country, is captured by a native tribe who hold him captive, force him into slave labor, and eventually accept him when he marries the chief's daughter. Throughout the whole film, I never felt this was a horror film. It was more reminiscent of a drama, like A MAN CALLED HORSE, which I liked better. Ivan Rassimov is pretty good as the photographer, but it is Me Me Lai as the chief's daughter who is memorable and great. I have always been a Me Me Lai fan ever since her breathtaking performance in JUNGLE HOLOCAUST and she is never given credit for her acting chops because she hardly speaks in her films. She is still very talented and charming. Lots of real animal mutilation is the one thing about DEEP RIVER that could make it a horror film, but even that doesn't execute well.
主演：Ken Clark Horst Frank Jeanne Valérie
导演：Umberto Lenzi
简介：Thestoryisfreshandoriginal,andpresentedwithuniquetwistsfrombeginningtoend.FiveGermansoldiersareparachutedintoNorthAfrica,andwilltrektoCasablancatoassassinateaconferenceofChurchill,RooseveltandDeGaulle.Lenzi’sfilmisatrueexampleofcharacter-drivendramaatitsbest.KenClarkisCaptainSchoeller,leaderoftheunit,andhe’sneverlessthantotallyconvincingasadie-hardadvocateofHitlerandNazism.HorstFrank("ThunderfromtheWest")playsLt.Wolfwithgustoandconviction.Wolf’smotherisAmericanandhisbestfriendisaJew,soheandSchoellerdon’tseeeye-to-eye.HeandSchoellerclashoveropposingidealsseveraltimes.Despitetheirdissension,botharededicatedsoldierswhohaveajobtogetdone,andgrudginglyworktogethertoaccomplishthemission.Lenzineverstraysfarfromthiscentralconflictofideals,alwayskeepinghismessageclearlyinfocus.ThesupportingcastoffamiliarEuropeanactorsisexcellentall-around.CarloHintermann,HardyReycheltandHowardRossroundouttheGermanteam.Hintermannmakesthemostofhislittleroleasatough,dedicatedGermanSergeant,acareersoldierwho’lldowhathe’stoldwhenhe’stold,noquestionsasked.JeanneValerieandFabienneDaliaretwofemalecharacters,whosemotivesareneverclearlydefineduntilthefilm’sthirdact–andthat’swhenyourealizewhosesideeachisreallyon.GianniRizzohasafewbriefscenesasaFrenchinformer,workingwiththeGermans,andgetstodoblastawayatAmericansoldierswithamachineguninoneofthefilm’snail-bitingactionscenes.BesuretowatchforTomFelleghy("TheGreatestBattle"),JohnStacy("BattleoftheCommandos"),andFrancoFantasia("Adios,Sabata")insmall,yetkeyrolesasAlliedofficers.Thoughtheaction-packedfootageisscant,what’shereisbrilliantlyeditedanddirected.Thethirdactistenseandfast-paced,astheGerman"heroes"dodgebulletsacrossrooftopsandduckthroughalleywaysasAmericanMPsareinhotpursuit.ThefinalinfiltrationofChurchill’sbanquetinghallisexcellentlysetup,withfrustratinglydeliberatepacing,whichwillleaveyouontheedgeofyourseat.Thisclimaxendsabruptlywithagreatsurprise,causingyourjawtodropasyouwonder"Whatjusthappened…?"Twoaspectsoffilm-makingthatLenziandhiscrewseemtoemphasizearethesetsandlandscapes.Thereisnotoneshotinthismoviethatlooksoutofplace.WhentheGermanofficerstalkinheadquarters,theinteriorlookslikeanofficeinaGermanheadquarters.Thefilmissetinthedesert,andthereareconstantwideshotsasactorsspeakandwalkwhichrevealthatthesesceneswereactuallyshotinthevastEgyptiansanddunes.TheoasisofKuffranlooksespeciallybustling,andtheessenceoftheatmosphereofCasablancaduringwartimeissuperblycaptured.Duringthistimeperiod,manydirectorsfellbackonshabbyinteriorsandshotinoutdoorlocationswhichlookedcompletelywrong.Forexample,"CommandoAttack",alsoshotin1967,waslensedinSpainandexteriorswerepassedoffas"southernFrance",yetit’sclearlyvisibletheactionwasnotoccurringintheFrenchcountryside.Finally,thereareanumberofotherlittledetailswhichcontributetothisfilm’ssuccess:fineeditingandcamera-workgivethismovieaveryprofessionallookandfeel;italwayslooksprofessional.Lenziisjuststartingtodevelophisstyle,andhissignatureclose-upsareusedinmoderation,butmeanallthemorewhentheyareused.Therearesomegreatcraneshotsandwideshotsusedtoestablishthescopeofthesets,mostnotablyinthescenessetinCasablanca.Thisisdefinitelyagreatfilm,withsomestronglydevelopedinternalconflictsandfleshed-outcharacters.ThequalityofLenzi’sfilmswoulddegenerateastheyearspassed,but"DesertCommando"iseasilyoneofthebestwarfilmstocomeoutof1967,rankingrightuptherewith"TheDirtyDozen".
主演：Carroll Baker Alan Scott
导演：Umberto Lenzi
简介：Thisearly70’sgiallobyUmbertoLenziiscertainlyamongthebestinhisfilmographyandalsointhewholegenre.PersonallyIthinkLenzi’sbestfilmsarethefunnycartoon-turned-filmKriminal,thestylishgialloSevenBlood-StainedOrchids,theexplosiveNapoliviolentaandthis.IntheeightieshedidplentyoffilmtrashinformofEatenAlive,HitcherintheDarkorBlackDemons,allofwhicharerippingsomethingoffand/orverydullandslowmoving.KnifeofIcecamewhenthegialloboomwasatitshottestandtheresultisconvincing.Technicallythefilmissuperb,containinggreatcinematographyinthebeginningwhenwelearnaboutthemaincharacter’straumatowardstrains.Fromthispointon,Lenzishowsushisabilitytobenefitthewidescreenand,forexample,thebicyclerideneartheforestisgenuinelybeautiful!ThisscenealsoshowsLenzi’sabilitytobuildsuspense,veryslowlybutmeaningfully.Afterall,therearen’tsomanymurdersinthewholefilm,onlythesuspensecirculatingaroundthemurderer’sidentity.Onesuspectisadevilworshipperwhichbringsnewaspectstothemystery.Sincethefinalscenetakesplaceinachurch,onecanwonderifLenziwantedtocommentonsomething,maybethehypocriticalmoraleofchurchandsuperstition.Themaincharacter(CarrolBaker)ismutewhichdemandsalotfromherfaceandeyes.Theactressworksverywell,givingusabelievableperformancecirculatingaroundtheemotionsoffearandmentalpain.Theotheractorsaregood,too.Thefinally,however,maynotgivetoopositiveasightaboutfemalesexsincetheyallareexpressedrathernegativelyinthefilm,onewayoranother.Stillthisiseasilyamongthemostnoteworthyinthegenre,notasbloodyastheArgentofilms,forexample,butequallysuspensefulandvisuallyalsointeresting.
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