主演：Martin Sperr Angela Winkler 汉娜·许古拉
导演：彼得·弗莱施曼
简介：ynopsis from Time Out Film Guide Between the seemingly idyllic opening and closing scenes depicting a rural community, first at church, then at the village festival, Fleischmann attacks that community's prejudices and ignorance without remorse. His very precisely observed portrait of Bavarian life begins with little more than a display of the villagers' constant ribbing, bawdy humour, continuous gossip, and more than a hint of their slow-wittedness. With the return of a young man, their idle malice and childish clowning, always on the edge of unpleasantness, receive some focus quite without foundation, the lad is victimised as a homosexual. The crippling conformity of their ingrained conservatism leads the villagers to reject anything 'different' a young widow is ostracised, more for her crippled lover and idiot son than her morals; a teacher is frozen out because she's educated; the casual destruction of the young 'homosexual' is given no more thought than the cutting up of a pig. Not Germany in the '30s but the '70s; nevertheless the political parallels are clear. An impressive film.
主演：Martin Sperr Angela Winkler 汉娜·许古拉
导演：彼得·弗莱施曼
简介：《Time Out 电影指南》中的剧情简介：在描绘乡村社区的田园诗般的开场和结束场景之间，首先是在教堂，然后是乡村节日，弗莱施曼毫无悔意地攻击了该社区的偏见和无知。他非常仔细地观察了巴伐利亚的生活，一开始只不过是展示了村民们不断的开玩笑、下流的幽默、不断的闲言碎语，以及他们的迟钝的暗示。随着一个年轻人的回归，他们的无谓恶意和幼稚的小丑，总是处于不愉快的边缘，受到了一些关注：完全没有根据，这个小伙子被当作同性恋的受害者。根深蒂固的保守主义导致村民们拒绝任何“不同”的事物：一位年轻的寡妇被排斥，更多的是因为她残疾的情人和白痴儿子，而不是她的道德；老师因为受过教育而被冷落；对年轻“同性恋者”的随意毁灭并不比切碎一头猪更被考虑。不是20世纪30年代的德国，而是70年代的德国；然而，政治上的相似之处是显而易见的。一部令人印象深刻的电影。在下巴伐利亚州的一个小村庄里，二十岁的机械师艾布拉姆（马丁·斯佩尔饰）被怀疑是同性恋。他并不是唯一的外人，在场的还有一名外籍客工和被村民诽谤为妓女的女仆汉内洛尔（安吉拉·温克勒饰）。当亚伯兰用刀刺伤汉内洛尔时，局势升级，歇斯底里的村民试图追捕亚伯兰。
主演：Martin Sperr Angela Winkler 汉娜·许古拉
导演：彼得·弗莱施曼
简介：ynopsis from Time Out Film Guide Between the seemingly idyllic opening and closing scenes depicting a rural community, first at church, then at the village festival, Fleischmann attacks that community's prejudices and ignorance without remorse. His very precisely observed portrait of Bavarian life begins with little more than a display of the villagers' constant ribbing, bawdy humour, continuous gossip, and more than a hint of their slow-wittedness. With the return of a young man, their idle malice and childish clowning, always on the edge of unpleasantness, receive some focus quite without foundation, the lad is victimised as a homosexual. The crippling conformity of their ingrained conservatism leads the villagers to reject anything 'different' a young widow is ostracised, more for her crippled lover and idiot son than her morals; a teacher is frozen out because she's educated; the casual destruction of the young 'homosexual' is given no more thought than the cutting up of a pig. Not Germany in the '30s but the '70s; nevertheless the political parallels are clear. An impressive film.
耶～～复制成功